Constructive power and discordant discourses in Shakespeare's Antony and Cleopatra

The present paper aims to focus on how the circuit of different discourses in Alexandria and Rome contributes to the subject formation in Antony and Cleopatra. Identity, which acts as trap in this play, precipitates the characters from two different countries or contexts into a war through creating binarized categories with heterogeneous possibilities. Mark Antony - one of the Triumvirs of Rome in…