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Emotions and the dramaturgy of opera buffa
In contrary to general interpretations of opera buffa, the presence and importance of arias and ensembles based primarily on emotions (and not only action) are crucial for the genre’s dramaturgy as well as for its historical development. The presence of lyrical arias in opera buffa has its origins in the traditional comic dramaturgy (one or more couples of serious lovers), the number, form and fun…
Creator
- Niubó, Marc
Subject
- opera buffa
- operní dramaturgie
- operní árie
- emoce
- opera dramaturgy
- opera arias
- emotions
- ansámbl
- ensemble
- 8
- …
Type of item
- model:article
Creator
- Niubó, Marc
Subject
- opera buffa
- operní dramaturgie
- operní árie
- emoce
- opera dramaturgy
- opera arias
- emotions
- ansámbl
- ensemble
- 8
- …
Type of item
- model:article
Providing institution
Aggregator
Rights statement for the media in this item (unless otherwise specified)
- http://creativecommons.org/licenses/by-nc-sa/4.0/
Rights
- policy:public
Place-Time
- 53-60
Source
- Cornova: revue České společnosti pro výzkum 18. století | 2014 Volume:4 | Number:1
Identifier
- https://cdk.lib.cas.cz/client/handle/uuid:1311e53a-73d1-4508-914b-312e7f34a6ae
- uuid:1311e53a-73d1-4508-914b-312e7f34a6ae
- issn:1804-6983
- doi:10.51305/cor.2014.01.05
- uuid:1311e53a-73d1-4508-914b-312e7f34a6ae
Format
- bez média
- svazek
Language
- cze
- eng
- eng
- ces
Providing country
- Czech Republic
Collection name
First time published on Europeana
- 2021-05-21T06:43:45.539Z
Last time updated from providing institution
- 2021-12-25T05:07:51.358Z