black and white photograph, a large number of horses and carriages outside a cathedral.
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Saint Patrick’s Cathedral in New York

A home for all

How the history of New York's Saint Patrick's Cathedral reflects the city's migration history

by
Sofie Taes (opens in new window) (KU Leuven / Photoconsortium)

For thousands of migrants looking for a job or a new start in life, New York City has always been (and still is) a favoured destination. Many live together in specific neighbourhoods, aiding them in finding work, engaging in social activities and preserving their cultural identity.

The history and culture of New York City is entwined with migration, encapsulated in buildings like the Lower East Side Tenement Museum and Saint Patrick's Cathedral.

sepia photograph of Saint Patrick's Cathedral.

Saint Patrick's Cathdral is a symbol of Catholic faith in the USA, and reflects the migrant heritage and communities that made up New York.

Since the mid-1800s Mulberry Street has been a centre of the Italian community in New York, the majority of this community are Catholic. An existing church - the Old Saint Patrick Church - became too small to house the growing number of worshippers, so a new gathering place was built.

black and white photograph, a woman walking in a city street carrying a bundle of fabrics on her head.

James Renwick, who already had designed New York’s Grace Church (1843–46), was the architect of the new Neo-Gothic, two-tower structure for which construction began in 1858.

For his cathedral, Renwick devised an eclectic, monumental building style mixing French, German and English Gothic influences. Named after the patron saint of Ireland, the building was completed in 1878 and became the seat of the Archdiocese.

colour postcard of a church with a tall steeple.

Since its construction, Saint Patrick’s Cathedral has become a meeting place for immigrants and has become one of the best known and most visited churches of the United States.

group of people holding flags on steps outside cathedral.

The cathedral - which takes up an entire block - is built of brick covered with marble, sourced in Massachusetts and New York.

Its lavish decorations reflect the migration history of local communities. The doors, for instance, are adorned with sculptures of saints and religious figures connected to the history of migration.

St. Isaac Jogues was New York's first Catholic priest, who was born in France. St. Frances Xavier Cabrini was the founder of the Missionary Sisters of the Sacred Heart of Jesus, who supported Italian immigrants in the US. Saint Kateri Tekakwitha or ‘the Lily of the Mohawks’: a missionary in New France of Algonquin–Mohawk birth, and the first Native American woman to be canonised by the Catholic Church. Mother Elizabeth Seton was a descendant from a family that ranked among the earliest European settlers in the New York area, founder of the Sisters of Charity and first native-born U.S. citizen to be canonised.

black and white illustration, a man kneels praying while men with axes hit him.
colour illustration, a woman holds her hands to her chest, she wears lilies in her hair and clothing reminiscent of Native American clothing.

Through the communities that worship there, and the figures it features, Saint Patrick's Cathedral is an architectural celebration of New York’s multiculturalism.


This blog post is a part of the Migration in the Arts and Sciences project, which explored how migration has shaped the arts, science and history of Europe.