The Crucifixion

This vertical-format panel entered the collection from the Italian artmarket prior to 1930. The earliest related documentation are two reports written by Raymond van Marle and Wilhelm Suida in which these authors comment on the quality and attribution of the panel. Van Marle considered it to be by Baronzio da Rimini and published it as such in the Munich exhibition in 1930. Suida, however, conside…