Dada-Review
In 1919, Hannah Höch began to apply herself to the technique of photomontage, which had originated in the experimental workshop of Dada. Until the end of her life, despite her traditional art education, she continued to cut up the images she found - reproductions from the printed media - in order to recombine and remount their chopped elements. The “Dada-Review” is the jumbled simultaneity of nume…
Cruthaitheoir
- Hannah Höch
- Hannah Höch
Ábhar
- Weimar Republic
- Dada
- Dada
- Dadachas
Cineál míre
- collages (visual works)
- Collage
Meánach
- cardboard
- gouache (paint)
- Aquarell
- Guais
- Cairtchlár
Cruthaitheoir
- Hannah Höch
- Hannah Höch
Ábhar
- Weimar Republic
- Dada
- Dada
- Dadachas
Cineál míre
- collages (visual works)
- Collage
Meánach
- cardboard
- gouache (paint)
- Aquarell
- Guais
- Cairtchlár
Institiúidí soláthartha
Comhbhailitheoir
Ráiteas um Chearta Ceadúnas do na meáin sa mhír seo (mura sonraítear a mhalairt)
- http://rightsstatements.org/vocab/InC/1.0/
Dáta cruthaithe
- 1919
- 1919
Suíomh reatha
- Berlinische Galerie, Landesmuseum für moderne Kunst, Fotografie und Architektur, Berlin
Aitheantóir
- GER_280_004
Meid
- 43,7 x 34,6 cm (Höhe x Breite)
Teanga
- Deutsch
- deu
Bliain
- 1919
Tír sholáthair
- Germany
Ainm bailiúcháin
Ar fáil den chéad uair ar Europeana
- 2019-09-02T11:51:36.753Z
An uair dheireanach a nuashonraíodh ón institiúid sholáthartha
- 2019-09-02T11:51:36.753Z