Dada-Review
In 1919, Hannah Höch began to apply herself to the technique of photomontage, which had originated in the experimental workshop of Dada. Until the end of her life, despite her traditional art education, she continued to cut up the images she found - reproductions from the printed media - in order to recombine and remount their chopped elements. The “Dada-Review” is the jumbled simultaneity of nume…
Kreatur
- Hannah Höch
- Hannah Höch
Suġġett
- Weimar Republic
- Dada
- Dada
- Dada
Tip ta' oġġett
- collages (visual works)
- Collage
Mezz
- cardboard
- gouache (paint)
- Aquarell
- Gouache paint
- Cardboard
Kreatur
- Hannah Höch
- Hannah Höch
Suġġett
- Weimar Republic
- Dada
- Dada
- Dada
Tip ta' oġġett
- collages (visual works)
- Collage
Mezz
- cardboard
- gouache (paint)
- Aquarell
- Gouache paint
- Cardboard
Istituzzjoni fornitriċi
Aggregatur
Dikjarazzjoni tad-drittijiet tal-midja f'dan ir-rekord (sakemm mhux speċifikat mod ieħor)
- http://rightsstatements.org/vocab/InC/1.0/
Data tal-ħolqien
- 1919
- 1919
Post attwali
- Berlinische Galerie, Landesmuseum für moderne Kunst, Fotografie und Architektur, Berlin
Identifikatur
- GER_280_004
Limitu
- 43,7 x 34,6 cm (Höhe x Breite)
Lingwa
- Deutsch
- deu
Sena
- 1919
Pajjiż fornitur
- Germany
Isem il-kollezzjoni
L-ewwel darba ppubblikata fuq Europeana
- 2019-09-02T11:51:36.753Z
L-aħħar aġġornament mill-istituzzjoni fornitriċi
- 2019-09-02T11:51:36.753Z