Η ταφή του Χριστού

Made in Venice, this work is representative of a particular phase in the artist's development, that is, at a time when he sought to assimilate the teachings of the art of the Renaissance: the articulation of space in perspective, emphasised here by placing the marble sarcophagus on an angle and by the way the figures stand in space, as well as by the modelling of volumes through chiaroscuro and th…